Art has been part of my life since childhood.
I studied Fine Arts and later Marketing and Communication. I have worked as an illustrator, led a strategic communications department and, for many years, developed museum and exhibition projects.
From design to production coordination, I have followed seemingly different paths that taught me something essential: space communicates and images create meaning, but creating only makes sense when there is a purpose beyond the purely aesthetic.
I work mainly in medium and large formats, through a physical engagement with the work. The body, gesture, material and time are all part of the process. I often use fast-drying materials that force me to make decisions and act quickly, leaving room for the unexpected. I am not looking for perfection, but for painting that feels alive, honest and unrepeatable.
Abstraction allows me to address what cannot always be expressed in words. I prefer not to impose a narrative, but to leave room for each person to find their own. My work seeks to engage rather than explain. I see art as a two-way relationship, which is why something that is merely decorative is not enough for me.
A work of art transforms a space, but it can also become part of the life of the person who inhabits it.
And it is there, when it leaves the studio and begins to create new meanings, that painting fully comes
into its own for me.